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Tags: JSO , Jacksonville , Duval County , Jacksonville Sheriff's Office , Crime , I-TEAM , Investigations , Reginald Boston , Body Camera
Right before JSO killed a robbery suspect, an officer turned off his bodycam because of a ‘bright blinking light.’ Does that violate policy?
One of the officers involved in SWAT operation that resulted in the death of 20-year-old Reginald Boston Jr. (Copyright 2023 by WJXT - All rights reserved.)
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JACKSONVILLE, Fla. – The Jacksonville Sheriff’s Office’s pledge to be more transparent under Sheriff T.K. Waters is being challenged by a mother who still wants answers following her son’s death.
Saturday will mark three years since Reginald Boston was shot and killed by JSO officers in an undercover operation that injured another. Police said Boston and two others were involved in an armed robbery that led to a SWAT investigation.
The shooting was not captured on video because one of the officers was instructed to turn off their bodycam so the light on the device wouldn’t give away their position.
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Went through all JSO’s body-worn camera policies and looked into what they say about deactivating the device. None of the policies mention anything about a light on the camera as being a reason to turn off the camera.
Evidence photos provided by Yvonne Kemp show the area near a Northside apartment complex where JSO officers hid before the deadly shooting of Reginald Boston, an armed robbery suspect. (Copyright 2023 by WJXT - All rights reserved.)
Police said Boston and two others committed an armed robbery, taking a man’s cell phone at gunpoint. So, the police went undercover to set up a meeting to arrest him.
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Officers armed with guns hid in the bushes outside a Northside apartment complex at night and left a walkway clear. When the three suspects got closer to them, according to JSO’s report, one of the officers yelled: “Police! Don’t move!”
Evidence photo provided by Yvonne Kemp shows one of the officers involved in SWAT operation that resulted in the death of 20-year-old Reginald Boston Jr. (Copyright 2023 by WJXT - All rights reserved.)
Case photo provided by Yvonne Kemp shows evidence markers near a Northside apartment complex where JSO officers hid before the deadly shooting of Reginald Boston, an armed robbery suspect. (Copyright 2023 by WJXT - All rights reserved.)
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According to a lengthy JSO report, an officer turned off his bodycam at the request of SWAT officers because they were told the bright blinking green light on top of the camera would give away their position of concealment making them vulnerable to a possible ambush.
“That’s the first time I’ve heard about that, ” said criminologist Alex Del Carmen. “The actual presence of a bodycam on an officer’s vest. I’ve never heard of that generating a light that is so powerful that we would it will compromise a police officer.”
They’ve been changed 10 times since 2018 when JSO officers first started wearing bodycams. So, submitted a public records request and looked through every version. One of the deactivation policies from January 2020 was updated just three days after Boston was killed. The policy before then was from 2018.
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In the deactivation section of the 2018 policy it says before deactivating body-worn cameras, officers must record a statement as to why they are deactivating it including if their supervisor told them to. It’s not clear if that happened in Boston’s case.
Some other instances where they need to record a statement include, if the situation they responded to is over, if they are getting legal counsel or if they’re discussing strategic or tactical JSO operation planning.
In December, the I-TEAM started asking JSO questions about this case and had multiple email exchanges over three weeks. learned about the agency’s policies and the fact that JSO uses Axon Body 2 bodycams.
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File photo of Axon Body 2, the bodycam worn by JSO officers since 2018. (Courtesy Axon) (Copyright 2023 by WJXT - All rights reserved.)
But these two key questions weren’t answered by the time this story was published: Were any of the body-worn camera policies broken in this case, and if so, was anyone disciplined? And, is the department considering using a different model of body-worn cameras since the light on the current one, according to at least one SWAT officer, could put JSO officers at risk?
“I’m going to knock on some doors. I’m turning over every rock. I want to know why, ” she said. “I’m not going into the next year without knowing what happened to my son.”
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Recent bodycam videos released by JSO have shown police firing on suspects after the suspects pointed guns at them, confirming what was reported.
On the flip side, earlier this month, a JSO officer was arrested after the events seen on his bodycam didn’t match what the officer wrote in his report. Sheriff Waters had a strong statement after that officer’s arrest.
“Apparently he just didn’t want to tell the truth at that point. Let me say this, we never relish in arresting an employee of this agency. However, our collective belief of openness, transparency and accountability trumps any personal allegiance. We are a society of laws and no one is above the law, ” Waters said.
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“There is no question that every police exchange and interaction, with very few exceptions, should be subjected to that footage being captured and police officers should be, should be punished for violating policy if in fact that bodycam has been intentionally turned off in circumstances where especially where somebody could be hurt, or it could lead to somebody’s death, ” he said.
Kemp is still looking for clarity in the pages of reports and boxes of evidence, but she can’t look for too long.
“When the truth comes out, I’m going to open them up. Because those bags gonna, what’s in those bags, it’s going to tell a lot, ” she said., Ernesto Neto’s first solo exhibition in Galerie Max Hetzler’s Paris space, seeks, through an important installation as well as other works of different formats, to alert humanity to the short amount of time it has left to reduce the inexorable consumption of the planet’s resources. It urges visitors to reconnect with nature and, through it, with themselves.
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Through his holistic vision, Neto wishes to bring humanity face to face with its responsibilities as a reminder that this countdown also concerns us. The artist encourages viewers to physiologically feel this belonging. Although we, as humans, are inclined to place the intellect above the body, we depend nevertheless on the same organic system as all other living beings, animals and plants. Thus, Neto seeks to revive the link that has gradually broken between mankind, Earth and the universe.
With his immersive installation at Galerie Max Hetzler, the artist invites viewers to pause and meditate on a tree trunk, absorbing the energy of the surrounding environment. The murmured audio of a ceremonial song can be heard, making amends for the barbaric violence that cut down the trees, “
Here, the plywood tree trunk, along with the soybeans at its core, on the walls and on the paintings in the first room, speak to the excesses of the commercial industry, with the overproduction of soy and plywood leading to the inexorable deforestation of the Amazon. Neto’s paintings also denounce our consumerist society which abandons itself to the supremacy of money. In these works, brass, beans and banknotes take the shape of the exponential profits of agribusiness, with the use of plastic and leather also contributing to this devastation. The dark backgrounds of the paintings not only evoke the colour of oil, but the luxurious black velvet displays often used to present gold rings to clients in the jewellery industry, reminding us that oil spills and gold mining are both disastrous for the environment.
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” Ernesto Neto asks these questions in order to underline the critical situation in which we find ourselves today. Global warming has long concerned the artist and so this exhibition, the culmination of many years of research which has been delayed due to the pandemic, poses an ultimatum to humanity: a last chance awakening.
Continues the artist’s biomorphic work, first developed in the 1990s, and strives to create intimacy between the viewer and his art. Neto encourages multisensory experimentation and often incorporates herbs, seeds and elements such as spices, moss, cotton, shells and sand, into his works, whose ephemeral and vulnerable character recall the human body, evoking both the passage of time and the fragility of the world. He also regularly sets up Indigenous peoples as a model, who in their therapeutic rituals, harmoniously associate the human and the environment as part of an inseparable entity. As these guardians of our Mother-Earth have been doing forever with their ancestral rites, the artist invites us to reconnect with others in a dynamic and updated relationship with the reality of the contemporary world.
Ernesto Neto (*1964, Rio de Janeiro) lives and works in Rio de Janeiro. The artist participated in the Venice Biennale in 2001 and 2017. In recent years, his work has been the subject of solo exhibitions in public
